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The Sea Weaver

by Wickerbird

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pcbt
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pcbt I love this album and since I learned about it, all of Wickerbirds music. Very original combination of ambient and folk. Sounds familiar and groundbreaking at the same time. Favorite track: ash / aster.
Anthony Childs
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Anthony Childs One of my albums of the year. If by air, land or by sea, immediately transportive, establishing its own environment with plenty of space welcoming you. Deep as the sky, soft as clouds, you have endless capacities to float, dive, surface and sing along. Come in, the water's sublime. Favorite track: little weavings.
kaelsmith
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kaelsmith This enchanting album sounds as if the music has led you into a cave, yet you cannot discern which corridor it’s coming from. It has a protracted depth and ghostly-crystalline beauty. The songs grow and fade like a campfire being lazily tended to throughout the night. Highly recommended. Favorite track: the lamplighter.
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    • Comes with a 10 page digital booklet of lyrics and artwork
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    • Glass Mastered CD
    • Gatefold heavy stock, reverse printed case
    • Limited to 200 Editions
    • Comes with a 10 page digital booklet of lyrics and artwork

    Includes unlimited streaming of The Sea Weaver via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
2.
wake and behold the lark in your clothing that can’t make it out you found it boring these waves all unmooring ships in the sound coastal lights and hotel wine watered-down olden rites that still don’t quite figure out what now? we could be holy, or maybe we’re only, haunting your house and burnt in your mouldings, our words writ in mourning, heard from without a father’s lies, in altar wine, watered-down squandered time, and all our shrines, never found there’s a sound like a railroad comin’ always westward runnin’ from the rising sun and there’s a sound like the fall of summer like a call of thunder ‘fore the rains wash under there’s a sound like there’s a sound like but I don’t quite like feeling like this there’s a sound like there’s a sound like but I don’t quite like feeling like this
3.
go throw away your clothes they’re not worth saving, you know go through the pockets before, though there won’t be much need anymore for whatever they still store and- hide your face in the cloth, love is not as you thought hide your frame in your laws, you do not know what it costs, and you didn’t account for the loss (ah) so hide your face in the frost, love is not what you thought, pine away just like Faust, but you didn’t know what it cost, hide your face in the frost, love is not what you thought, pine away just like Faust, but you didn’t know what it cost, and you didn’t count on a loss
4.
what will you do? with that dagger on you will you run me through? and in awhile with all that you can't reconcile will all those miles do? all this wandering, waning, won't mean much all this squandering, feigning a loving touch I'll let you down what will you do? what, with that sword above you might it all fall soon? and in your eyes a face that you recognize might all its lies be truth? all this wandering, waning, won't mean much all this squandering, feigning a loving touch all this pondering painless, but not enough all this laundering raiments still caked in dust I'll let you down some nights go quiet some nights don't quite end some nights go quiet some nights don't quite end some nights go quiet some nights don't end
5.
light a candle when the moon goes out wouldn’t want for you to fall all along our wastrel route clad in nothing but our shawls mmmmm mmm mmmmmm mmm in the dark I can see them clear little candles in the south how am I to eat your fears my own are filling up my mouth mmmmmm mmm mmmmm mmm how am I to wake from bed? how am I to raise your dead? how am I to shake this dread? how am I to waste instead? how am I to wake from bed? how am I to raise your dead? how am I to shake this dread? how am I to waste instead?
6.
bell weather 02:47
go to sleep all could be a dream or a memory of what you used to be up to your knees where all the waters meet all the fallen leaves swim across your feet severed from all their trees oh yeah do you know about it do yah? oh yeah do you know about it do yah? do you know about it? go to sleep further in the reeds keeping what you need while picking out the seeds underneath the waters that we breach lie the rotting teeth of what we try to see but it’s something too harrowing oh yeah do you know about it do yah? oh yeah do you know about it do yah? do you know about it? do yah?
7.
french broom 03:15
wasting must sure look good on us, we’ll tell you when we’ve had enough of sifting answers from the dust painted rust on the railroad truss, we know where it will carry us, to a place we once were nameless won’t you tell them, we’re all doing just fine the water’s swelling, must be a state of mind take her stone out from the catacombs I promise none will ever know who's there to tell them, but the bones? tell the crows, we know what they know, and hell, if they still want to go, we’ll meet them on the willow road but won’t you tell them, we’re all doing just fine all this melting, must be all in our minds were we hellbent were we wrong the whole time this malignance burning out the inside
8.
the sea weaver reap what you need it was not meant to be but believe that the weaver speaks for the sea “don’t you know, it’s not as it seems though don’t you know, it’s not as it seems” sleep, bound in leaves, dear beneath the trees, near the stream. buried in a dream, when something screams “don’t you know, it’s not as it seems though don’t you know, it’s not as it seems” as it seems... ooh has he gone half crazy, running down the road? ooh, does he know what’s waiting, reaping all we’ve sown?” weep if you need to water the weeds at your feet trying not to breathe won’t make you free don’t you know, it’s not as it seems though don’t you know, it’s not as it seems don’t you know, it’s not as it seems though don’t you know, it’s not as it seems as it seems... ooh have you gone half crazy, running down the road? ooh, do you know what’s waiting, reaping all we’ve sown?
9.
inkstones 03:54
darlin’ am I like a bird out passin’ your house or caught in the tide like a stone thrown, cast further out and I’ll never know why the ocean’s been holding me close it was a moment ago but when I’d woken the mountains arose (eidolon, eidolon, eidolon, eidolon) darlin’ am I like the cold loam lifting the pines or a knot left untied while your rowboat drifts out of sight and I don’t know why, why the ocean’s still holding me tight but scrying waves in the sky I suppose I could stay for a time
10.
my daughter while you’re sleepin’ I’ve been weaving leaves in your mother’s hair the garden could use keepin’ but I fear the wolves still creeping out there and these hands are without these hands are without and this body’s without and this body’s without my daughter while you’re sleepin’ your mother’s stealing reeds from the riverside and she’s wrought a raft with string to ply the swelling streams when the waters rise for your god is without your god is without and our garden’s without our garden’s without with all our pretty bibles balking at the wilds still growin; and if all of this were needless, all the forest seems to know it with all our pretty bibles squalling for revival if all of this was something, it soon enough meant nothing and maybe in awhile, we will finally come to notice
11.
ash / aster 04:18
fall asleep in the morning listen for the north wind, listen for the trees calling thee, teeth forlorning, something altar-scorning buried neath the weeds ash and aster round thee scattered, rabbits rapture, trappers tattered alabaster Halifaxer running faster grasping from the gloom still they'll never know you still they'll never know you wash your feet in the creekbed dowerless and heathen but daughter ye are free in the stream words unreelin' maps of other seasons older than the sea ash and aster round thee scattered, rabbits rapture, trappers tattered alabaster Halifaxer running faster running faster ash and aster stags that canter, 'pon their antlers lanterns gathered alabaster Halifaxer running after your tomb still they'll never know you still they'll never know you
12.
the rivening 01:27
get away, get away I’ll be stacking graves til old age gangway, gangway I’ll be stacking crates til the end of days I’ll be stacking crates til they say gateway, gateway I just have to brace til end of days gangway, gangway I was ever wasted and contained I’ll be stacking crates til they say
13.
old hickory 05:45
sleepless nights I have known, I have known bloodied eyes down the road and fool am I to ignore, all this time, I haven’t grown and so I’ve sown my face on inside my room, and I have worn my names, and dressed my wounds, and dressed my wounds and there in woven lace upon the loom a place between a place, is seeping through moonless nights I have known, I have known stolen light inside it’s throat and fool am I to erode, all these binds, that hold me closed so go enfold your face, inside your room, and won’t you wear your names, and dress your wounds, to dress your wounds and there like golden lace, upon your loom, a place between a place, is peering through
14.
come down from the wall little bird quit squalling it’s all for nothing little bird you’re much too small little bird your scrawling is only suffering who knows, who knows? little bird don’t you know what you are little bird a haunting like a ghost departing little bird don’t you wander so far little bird my starling it will soon be starting who knows, who knows?

about

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elegies for the end
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"We make a hollow reckoning, this congress of ghosts. Staking our camp where none else will. Building our fires with promethean embers that flicker and sigh and suggest that exhausted state to which only the final snuffing smokes will know.

And so parted from the fire's warmth, we can soon scarcely discern this from a dream, of no more substance than the myriad faded dreams of all faded dreamers; sunken into our features as lines carved into a riverbank, no more than a testament to the rending of water, long past."

credits

released November 11, 2022

"Cowan has led his Wickerbird project to new, astonishing heights by fully embracing his vision and the will to reflect it onto the world at large. I’m genuinely in awe of this album, and I know for a fact that other EIN folks feel the exact same way." - (Dominik Böhmer) EVERYTHING IS NOISE

ALBUM OF THE WEEK - "Ecstatic, luminous and intrinsically aimed at a naturalism with transcendent contours are the fourteen tracks that form “The Sea Weaver”, once again suspended on a ridge between ambient-folk and rarefied author's writing." (translated from Italian) - MUSIC WON'T SAVE YOU

"Clearly, Cowan has been honing his craft and carefully cultivating new ideas in the intervening time and the album is replete with subtle touches that reward repeated listening." - STATIONARY TRAVELS

"With Wickerbird offering the chamber folk soundtrack, the entire work feels ceremonial." - THE WILD IS CALLING

"...explorations of the folk fringes, where everything is familiar but not quite what it seems." - THE SLOW MUSIC MOVEMENT

"In the droning sounds, the shoegaze approach to the vast chorale of voices, percussive bumps that feel like a storm approaching and the pretty nimble guitars movements there is an emotional heaviness maybe of past loss or loss to come." - (Robb Donker Curtius) AMERICAN PANCAKE

"stellar finger-plucked guitar, layered vocals, and so much atmosphere that you will feel like you are receiving a transmission from another time… another place…" - UP TO HEAR MUSIC

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Originally released on Lost Tribe Sound. See Catalog: losttribesound.bandcamp.com
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Total run time: 52 minutes

Written and recorded by Wickerbird
Mastered by Taylor Deupree at 12K Mastering
Additional Synth on "mottled light" by Matteo Neufeld of Rinnovare
Additional Vocal on "little weavings" by Veronika Astrova
CD layout and design R. Keane
Under exclusive license to Lost Tribe Sound LLC
© Wickerbird / Blake Cowan
℗ Wickerbird Publishing Admin (ASCAP) 2022

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Wickerbird Seattle, Washington

Ruminations and stories and the sounds that came of them.

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